Not every German during WW2 was a Nazi is the theme of this film. Not every German was swayed by Hitler. Not every German then thought that they were the 'master race'. Sophie Scholl dared to go against the brutal regime when almost everyone else had given up in resignation. She bravely faced the kangaroo nazi court bravely and died for her beliefs. A true German. An inspiring story.
2005 Academy Award Nominee for Best Foreign Language Film, Sophie Scholl - The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to thrilling, dramatic life. Sophie Scholl stars Julia Jentsch (of recent cult fave The Edukators) in a luminous performance as the fearless activist of the underground student resistance group, The White Rose. Armed with long-buried historical records of her incarceration, director Marc Rothemund expertly re-creates the last six days of Sophie Scholl's life: a heart-stopping journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. RELATED Greatest War Movies Best War Movies
A brooding apocalyptic realistic film that depicts the last days in the 'Fuehrerbunker' Hitler's concrete underground refuge as the Red Army moved closer. Hitler marries his mistress for long Eva Braun and then both commit suicide.
The riveting subject of Downfall is nothing less than the disintegration of Adolf Hitler in mind, body, and soul. A 2005 Academy Award nominee for best foreign language film, this German historical drama stars Bruno Ganz (Wings of Desire) as Hitler, whose psychic meltdown is depicted in sobering detail, suggesting a fallen, pathetic dictator on the verge on insanity, resorting to suicide (along with Eva Braun and Joseph and Magda Goebbels) as his Nazi empire burns amidst chaos in mid-1945. While staging most of the film in the claustrophobic bunker where Hitler spent his final days, director Oliver Hirschbiegel (Das Experiment) dares to show the gentler human side of der Fuehrer, as opposed to the pure embodiment of evil so familiar from many other Nazi-era dramas. This balanced portrayal does not inspire sympathy, however: We simply see the complexity of Hitler's character in the greater context of his inevitable downfall, and a more realistic (and therefore more horrifying) biographical portrait of madness on both epic and intimate scales. By ending with a chilling clip from the 2002 documentary Blind Spot: Hitler's Secretary, this unforgettable film gains another dimension of sobering authenticity.
The horrors and moral compromises of war set the stage for this harrowing drama from director Max Färberböck, based on a true story. An anonymous female reporter (Nina Hoss) is living in Berlin in the spring of 1945; most of the city has been reduced to rubble by bombing, the German army has been decimated, and most of those left behind are expecting the arrival of Russian troops and fearful of what awaits them. The reporter is one of a number of women who are hiding wherever they can in the city, expecting that they will be raped and brutalized by the Russians. It doesn't take long for their worst fears to be realized as the emotionally ravaged Russian soldiers take out their anger and frustration on their new captives. But the reporter, who can speak Russian, is determined not to allow herself to be violated by the soldiers, and she decides to curry favor with a Soviet officer who will then protect her from his underlings. The reporter's plan works as she becomes the lover of Major Andrej (Yevgeni Sidikhin), an officer with decidedly mixed feelings about his work. But as the reporter trades consensual sex for the safety Andrej can give her, both are aware who is the victor and who is a captive, and elsewhere in Berlin both German survivors and the soldiers occupying Berlin show the scars of war as they bring out the worst in one another. Anonyma -- Eine Frau in Berlin (aka A Woman in Berlin) received its world premiere at the 2009 Berlin International Film Festival. RELATED Greatest War Movies Best War Movies
We have read a lot of the grim battle of Stalingrad. This German film brings the agony and desperation of the toughest most vicious battle in history as the famed massive German Sixth Army under General Paulus falls apart. The suffering of German soldiers fighting for a lost cause is shown in gut-wrenching detail.
It's tempting to call this harrowing picture a World War II version of All Quiet on the Western Front: both films take the perspective of ordinary German soldiers at ground level. Stalingrad surveys the misery of the battle of Stalingrad, the winter siege that cost the lives of almost one and a half million people, Russian defenders and German invaders alike. Not unlike Spielberg's approach to Saving Private Ryan, German director Joseph Vilsmaier rarely steps outside the action to comment on the higher purpose of the war, assuming the audience is aware of the evil of the Nazi regime. Instead, we simply follow a group of soldiers as they endure a series of gut-wrenching episodes, events which have the tang of authenticity and horror. Vilsmaier has a taste for symbolism and surreal touches, which only add to the unsettling sense of insanity this movie conjures up so well.
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REVIEW
Before there was "Saving Private Ryan", the most graphic and visceral cinematic battlefield carnage was depicted in "Stalingrad". Ironically, the raw realism which drew rave reviews for SPR had elicited little more than horror and negativity for "Stalingrad". I'm not a sadistic guts'n'gore affictionado, but war is brutal and needs to be presented in an unsanitized manner. "Stalingrad" has been, and remains, my favorite war film. It is from the German producers of "Das Boot", and presents the point of view of the common Wehrmacht soldiers of Paulus' 6th Army, who were abandoned to freeze or be slaughtered in the bombed-out ruins of the city named for Stalin. Neither the Germans nor the Russians are portrayed as heroes or supermen in this film; there is only the desperation of fighters who are forbidden retreat. The anti-Nazi views of the producers are well-known, and occasionally a bit heavy-handed, but there is an admirable attempt to stick to realism. Even the Russians are presented accurately: from the presence of the female corpsman (yes, there were thousands of Russian women combatants at Stalingrad), to the playing of the phonograph song Temnaya Noch', to Stalin's cruel Edict that "there are no POW's -- only deserters". The tense ceasefires to allow tending of the wounded are also historically accurate, and are documented in various memoirs. The T-34 tank model depicted is, unfortunately, an anacronism. But the hand-to-hand fighting through the rubble of the buildings, streets, and sewers is realistic. As is the freezing Russian winter which sapped the energy and morale of the stranded Germans reduced to scurrying like rats and eating their own horses. From the cavalier attitudes of the would-be conquerers on the train to the desperation of the hordes of would-be escapees at the airport, this film takes us along with these German soldiers, allowing us to sympathize with their plight and even form a certain detached liking for them. The futility of their campaign haunts the poignant, sorrowful ending of the film (one can't call it a climax), as Russia Herself swallows her violators.
The retelling of June 6, 1944, from the perspectives of the Germans, the US, Britain, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day.
The Longest Day is a mammoth, all-star re-creation of the D-Day invasion, personally orchestrated by Darryl F. Zanuck.
Whenever possible, the original locations were utilized, and an all-star international cast impersonates the people involved, from high-ranking officials to ordinary GIs. Each actor speaks in his or her native language with subtitles translating for the benefit of the audience (alternate "takes" were made of each scene with the foreign actors speaking English, but these were seen only during the first network telecast of the film in 1972).
The stars are listed alphabetically, with the exception of John Wayne, who as Lt. Colonel Vandervoort gets separate billing. Others in the huge cast include Eddie Albert, Jean-Louis Barrault, Richard Burton, Red Buttons, Sean Connery, Henry Fonda, Gert Frobe, Curt Jurgens, Peter Lawford, Robert Mitchum, Kenneth More, Edmond O'Brien, Robert Ryan, Jean Servais, Rod Steiger and Robert Wagner. Paul Anka, who wrote the film's title song, shows up as an Army private.
Scenes include the Allies parachuting into Ste. Mere Englise, where the paratroopers were mowed down by German bullets; a real-life sequence wherein the German and Allied troops unwittingly march side by side in the dark of night; and a spectacular three-minute overhead shot of the troops fighting and dying in the streets of Quistreham.
The last major black-and-white road-show attraction, The Longest Day made millions, enough to recoup some of the cost of 20th Century Fox's concurrently produced Cleopatra.
One of the most influential anti-war films ever made, this drama follows a group of idealistic young men as they join the German Army during World War I and are sent to the Western Front.
All Quiet on the Western Front, adapted from the Erich Maria Remarque novel, crowned the 1920s cycle of WWI movies (What Price Glory?, Wings), stating its antiwar message so powerfully that it won the Oscar for Best Picture and was eventually banned in Germany by the Nazis. Lew Ayres epitomizes the naive, patriotic German youth transformed into a battle-weary survivor -- a performance that anticipates Charlie Sheen's similar turn in Platoon. In this early sound film, director Lewis Milestone utilized late silent-era techniques -- quick-cutting "Russian Montage," rapid camera movements -- to emphasize the chaos and savagery of the massive infantry assaults that characterized the Great War. By showing combat experiences from the enemy's perspective, the picture humanizes and universalizes the suffering of soldiers on the front line. The ending of the film is a deceptively simple, yet powerful, coda that expresses the movie's theme with such intensity that All Quiet on the Western Front remains the quintessential war movie, 70 years after its release.
STORY
The film follows a group of German schoolboys, talked into enlisting at the beginning of World War 1 by their jingoistic teacher. The story is told entirely through the experiences of the young German recruits and highlights the tragedy of war through the eyes of individuals. As the boys witness death and mutilation all around them, any preconceptions about "the enemy" and the "rights and wrongs" of the conflict disappear, leaving them angry and bewildered. This is highlighted in the scene where Paul mortally wounds a French soldier and then weeps bitterly as he fights to save his life while trapped in a shell crater with the body. The film is not about heroism but about drudgery and futility and the gulf between the concept of war and the actuality.
One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979
The summer of 1942 brought Naval stalemate to the Pacific as the American and Japanese fleets stood at even numbers each waiting for the other to begin a renewed offensive. "Midway" tells the story of this historic June battle where a Japanese carrier force, in an attempt to occupy Midway island and lure the American fleet to destruction, was meet valiently by US forces operating off of three aircraft carriers and numerous escort ships. It was the first battle in which naval air power was extensivly used, and at its conclusion the Japanese Carrier force had been completly destroyed which lead the way for the US 1943 and 44 offensives which would eventually bring the Pacific War to a close
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An expensive war epic, Midway emulates The Longest Day and Tora! Tora! Tora! in attempting to re-create a famous World War II battle from both the American and Japanese viewpoints.
The 1942 battle of Midway was the turning point of the War in the Pacific; the Japanese invasion fleet was destroyed, and America's string of humiliating defeats was finally broken.
Though the battle itself was sufficiently dramatic to fill two films, Midway also has plotline involving the mixed-race relationship between Ensign Garth (Edward Albert), son of Navy Captain Matt Garth (Charlton Heston), and Haruko Sakura (Christina Kokubo), a Hawaiian girl of Japanese descent. The real-life personages depicted herein include American Admirals Nimitz (Henry Fonda), Halsey (Robert Mitchum) and Spruance (Glenn Ford), and Japanese Admiral Yamamoto (Toshiro Mifune, his voice once again dubbed by Paul Frees, whom Mifune personally selected for the job).
For its original road show release, Midway was offered in the "Sensurround" process, which electronically shook and vibrated the audience's chairs during the battle sequences
An expensive war epic, Midway emulates The Longest Day and Tora! Tora! Tora! in attempting to re-create a famous World War II battle from both the American and Japanese viewpoints. The 1942 battle of Midway was the turning point of the War in the Pacific; the Japanese invasion fleet was destroyed, and America's string of humiliating defeats was finally broken. Though the battle itself was sufficiently dramatic to fill two films, Midway also has plotline involving the mixed-race relationship between Ensign Garth (Edward Albert), son of Navy Captain Matt Garth (Charlton Heston), and Haruko Sakura (Christina Kokubo), a Hawaiian girl of Japanese descent. The real-life personages depicted herein include American Admirals Nimitz (Henry Fonda), Halsey (Robert Mitchum) and Spruance (Glenn Ford), and Japanese Admiral Yamamoto (Toshiro Mifune, his voice once again dubbed by Paul Frees, whom Mifune personally selected for the job). For its original road show release, Midway was offered in the "Sensurround" process, which electronically shook and vibrated the audience's chairs during the battle sequences. STORYLINE In the winter of 1944, the Allied Armies stand ready to invade Germany at the coming of a New Year. To prevent this occurrence, Hitler orders an all out offensive to re-take French territory and capture the major port city of Antwerp. "The Battle of the Bulge" shows this conflict from the perspective of an American intelligence officer as well as from a German Panzer Commander. CAST Henry Fonda, Robert Shaw RELATED Greatest War Movies Best War Movies
A brutal harrowing tale of the WW2 eastern front as a group of German soldiers retreat in Russia.
A quote from Bertolt Brecht ends this bitter and angry war film by Sam Peckinpah: "Do not rejoice in his defeat, you men. For though the world has stood up and stopped the bastard, the bitch that bore him is in heat again." Peckinpah's intense and belligerently non-commercial work, (based on the book by Willi Heinrich), is a World War II tale told from the German perspective, following a platoon of German soldiers in the Russia of 1943, when the German Wehrmacht forces had been decimated and the Germans were retreating along the Russian front. James Coburn is Steiner, a German corporal and recipient of the Iron Cross who feels that he owes his loyalty to his family and fellow soldiers and not to Hitler and the German war machine. But when a new commander, Captain Stransky (Maximillian Schell), takes over the platoon, Steiner and Stransky come into immediate conflict. Stransky is a career soldier, the complete opposite of Steiner, and a man who pledges himself heart and soul to Hitler and the war. But he envies Steiner for having been awarded an Iron Cross and deeply desires one himself. The problem is Stransky is a complete coward and recognizes that the only way he can be awarded an Iron Cross would be to get the bitter Steiner on his side.
Perhaps the best war film ever made. A grim depiction of the reality of the Vietnam War and how it brutalised American soldiers fighting for a lost cause.
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him!
APOCALYPSE NOW
Simultaneously brilliant and bizarre, Francis Ford Coppola's sprawling, Vietnam-era adaptation of Joseph Conrad's Heart of Darkness -- having enthralled some viewers while befuddling others -- henceforth will occupy a loftier position in the director's oeuvre. This fanciful, extravagantly produced excoriation of US involvement in the Vietnam war is finally in the form Coppola originally intended with the addition of heretofore unseen sequences that bring the total running time to well over three hours. Redux, however, doesn't alter the story's basic structure: Army assassin Captain Willard (Martin Sheen) leads a Navy patrol boat upriver, penetrating deep into Cambodia to locate the village sanctuary of rogue colonel Kurtz (Marlon Brando) -- a war-maddened megalomaniac whom Willard has been ordered to terminate with extreme prejudice. The newly restored sequences include a lengthy stopover with French plantation owners who cling futilely to their decadent, aristocratic lifestyle in the face of chaos and carnage; and a darkly humorous dalliance with visiting Playboy Playmates, who offer to trade sex for the gasoline needed to fuel their downed helicopter. Coppola also reorders some scenes and adds snippets to others, ultimately transforming Apocalypse into a more cohesive, dramatically satisfying film. Still episodic and unevenly paced, with the same odd juxtaposition of hyper-realistic action and surreal symbolism, this revised edition nonetheless has a depth and texture the familiar version lacked.
A masterful achievement, overshadowed only by Coppola's first two Godfather films, Apocalypse Now Redux finally restores the luster to this formidable director's tarnished reputation. It's a film no serious movie fan should be without.
A gritty and emotional look at the lives of a platoon of American soldiers as they patrol, fight and die in the jungles of Vietnam as seen through the perspective of a young recruit. Two veteran sergeants clash when one of them precipitates a massacre of villagers.
MORE ABOUT THE FILM
Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam.
Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape.
Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunt's-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home.
This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.
DEVI in Aztec Mexico
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Incredible Ancient India (Bharat Sanatan in Aztec, Mexico)
Maa Durga in the Americas show her revered as Ashtabhuja or Ashtak (Western
Data Genesis Gem...
AGNI 6 (World's Fastest Missile)
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Incredible Innovative India (Bharat Sanatan) : With Agni-6 and BrahMos-2 in
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"Those who do not remember the past are condemned to repeat it."
-- George Santayana
History Quotes
May 1945 - If hell on earth existed, than it existed in Prague after May the 5th. 1945. Old men, women and children were beaten to death and maimed. Rapes, barbaric cruelties, horror-scenarios of hellish proportions - here they had been let lose.
- Ludek Pachmann, Czech Chess-Grand Master and publicist, forty years after the fact.
Copyright Issue
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Quotes
"History is a guide to navigation in perilous times. History is who we are and why we are the way we are." -- DAVID C. MCCULLOUGH
History, despite its wrenching pain, cannot be unlived, but if faced with courage, need not be lived again. -- MARY ANGELOU
Quotes
HISTORY, n. An account mostly false, of events mostly unimportant, which are brought about by rulers mostly knaves, and soldiers mostly fools. -- Ambrose Bierce
We learn from history that we learn nothing from history. -- GEORGE BERNARD SHAW
Quotes
"I have but one lamp by which my feet are guided, and that is the lamp of experience. I know no way of judging of the future but by the past." --EDWARD GIBBON
"Patriotism ruins history." -- GOETHE
Snippets from History
This short but important battle played a key role in the decision to use atomic bombs when attacking Hiroshima and Nagasaki. The battle showed just how far Japanese troops would go to defend their country.
Snippets From History
Paulus didn't give the order to 6th Army to surrender, but his troops no longer had much fight left in them. Resistance faded out over the next two days, with the last die-hards finally calling it quits. One Red Army colonel shouted at a group of prisoners, waving at the ruins all around them:"That's how Berlin is going to look! "
Quotes
History is Philosophy teaching by examples. -- THUCYDIDES
Quotes
"Those who cannot learn from history are doomed to repeat it." -- George Santayana
Points to Ponder: Why Is China Unstable?
The aim of individuals in any society is money and power. Societies that give equal chance to all its members to get them will be the most stable. That is why democracies are more stable than other systems of governance.
China after Deng's reform gave the chance to get rich but power is in the hands of an elite; the Communist Party of China. Membership to the party is at the whims of the local party bosses. This leaves out many people who crave political power dissatisfied and disgruntled. There in lies the roots of instability. The Party suppressed these demands once at Tiananmen in 1989. But force is hardly the way to deal with things like these.
World War Two ended many many years ago. All the Nazi creations were destroyed. But even today there is a continuous, even a growing interest in the Waffen SS. Why?
OK, Hitler was a bad guy. He dragged the world into a destruction never seen before . Agreed, the SS leadership was evil. The millions of fighters of the Waffen SS were embued with the Nazi ideals.
But certain ideals were drilled into them which made them one of the toughest soldiers the world will ever see. A camaraderie, a fierce devotion to Germany. With a complete disregard for one's life. A purity which is rarely seen in today's world.
One young officer coming upon a unit that had overtaken a column of German refugees fleeing westward later recalled: ‘Women, mothers and their children lie to the right and left along the route, and in front of each of them stands a raucous armada of men with their trousers down. The women who are bleeding or losing consciousness get shoved to one side, and our men shoot the ones who try to save their children.’ A group of ‘grinning’ officers was standing near by, making sure ‘that every soldier without exception would take part’. READ MORE >>>>
The End Of Nazi Germany
Zhukov stood up. 'We invite the German delegation to sign the act of capitulation,' he said in Russian. The interpreter translated, but Keitel, by an impatient gesture, signalled that he had understood and that they should bring him the papers.
Zhukov, however, pointed to the end of his table. 'Tell them to come here to sign,' he said to the interpreter. Keitel stood up and walked over. He ostentatiously removed his glove before picking upthe pen. He clearly had no idea that the senior Soviet officer looking over his shoulder ashe signed was Beria's representative, General Serov. Keitel put the glove back on, then returned to his place. Stumpff signed next, then Friedeburg.
'The German delegation may leave the hall,' Zhukov announced. The three men stood up.Keitel, 'his jowls hanging heavily like a bulldog's', raised his marshal's baton in salute,then turned on his heel.
As the door closed behind them, it was almost as if everybody inthe room exhaled in unison. The tension relaxed instantaneously. Zhukov was smiling, sowas Tedder. Everybody began to talk animatedly and shake hands. Soviet officers embraced each other in bear hugs. The party which followed went on until almost dawn,with songs and dances. Marshal Zhukov himself danced the Russkayato loud cheers fromhis generals. From inside, they could clearly hear gunfire all over the city as officers and soldiers blasted their remaining ammunition into the night sky in celebration. The war was over.
The German divisions advanced across immense fields of sun-flowers or corn. One of the main dangers they faced was from Red Army soldiers, cut off by the rapid advance, attacking from behind or from the flank. On many occasions, when German soldiers fired back, the Red Army soldiers fell, feigning death, and lay there without moving. When the Germans approached to investigate, the Soviet soldiers waited until almost the last moment, then 'shot them at close range'
"I must admit that this gassing had a calming effect on me, I was always horrified of executions by firing squads. Now, I was relieved to think that we would be spared all these bloodbaths." Rudolf Hoess..
Rudolf Hoess was responsible for the death of over one million people in his concentration camp. He was caught in March 1946, gave evidence at Nuremberg and was then handed over to Poland for trial. While awaiting trial he wrote his memoirs. He was executed at Auschwitz, the very site he commanded, and allowed others to die in.
History Trivia: Heydrich
Reinhard Heydrich..
Hitler referred to Reinhard Heydrich as "the Man with the Iron Heart" at his funeral. Until his death Heydrich oversaw the 'Final Solution' ... He was assassinated by two Czech resistance members in Prague in 1942. Hitler was so angered by the assassination that the village of Lidice was completely destroyed, and the inhabitants murdered.
Snippets Of History
STALIN 'WAKES' UP
For the first time, the Russian people heard the voice of their leader. Stalin addressed the entire country on July 3, 1941. He welcomed aid from the West and proclaimed a scorched-earth policy, denying the Germans everything and calling for the Russians already under occupation to fight hard against the invaders. He also appealed not only to communist ideals but to Russian nationalism.
In World War II and almost every other war in United States military history, our military was very clearly threatened by a uniformed and rather easily recognizable enemy. However in Vietnam, it was quite opposite. It appeared to the American soldiers that the whole country was hostile to American forces. It was impossible to tell the difference between friendly Vietnamese and enemy Vietnamese, (Viet Cong). The Viet Cong was rarely uniformed; therefore American troops were often forced to kill women and children.
The Polish-Jewish historian and the Warsaw Ghetto archivist Emanuel Ringelblum has described the cruelty of the ghetto police as "at times greater than that of the Germans, the Ukrainians and the Latvians."
Snippets From History: Vietnam War
From a journalist’s perspective, especially a photo-journalist, the war in Vietnam was unique. With virtually unrestricted access to the battle fields many photographers came to depict war in a way never seen before or since. Despite the technology, this was a guerrilla war with much of the fighting at close quarters, allowing intense moments to be recorded on film.
This meant risk; over 135 photographers from all sides are recorded as dead or missing. But it was also a war where images changed public opinion.
Snippets From History
"In 1945, in Soviet eyes it was time to pay," wrote British military historian Max Arthur. "For most Russian soldiers, any instinct for pity or mercy had died somewhere on a hundred battlefields between Moscow and Warsaw."
Snippets of War
BATTLE FOR STALINGRAD The Germans were now not only starving, but running out of ammunition. Nevertheless, they continued to resist stubbornly, in part because they believed the Soviets would execute any who surrendered. In particular, the so-called "HiWis", Soviet citizens fighting for the Germans, had no illusions about their fate if captured.
The Hitler youth fought with great courage during the battle. One group of Hitler youth even managed to hold off a Soviet tank division for three days. Many soldiers said that no one scared them more then the Hitler youth.....
